|  Photo : F. Balestrière
 | Born in 1963 at Lignières in Central France, Gilles Chabenat began playing the hurdy-gurdy at 13 with Les Thiaulins, an association  devoted to folk arts and traditions. Following private lessons with Georges  Simon, he won several music awards and subsequently devoted himself to his  region’s traditional repertoire with a desire to branch out into other musical  styles. Gilles’ musical experience and evolution are  thus constantly shaped by the people he meets.   In his approach to hurdy-gurdy playing, he draws essentially on the  multifaceted nature of an instrument which has been in constant evolution for  more than one thousand years.
 In the wake of Valentin Clastrier, he thus  felt the need to reinvent the instrument and the playing techniques associated  with it. Around that time and after several years of research, luthier Denis  Siorat developed a contemporary-style electro-acoustic instrument which  facilitated the integration of the hurdy-gurdy into the modern musical  experience.
 
 In 1992, Gilles Chabenat thus began a  twelve-year partnership with the Corsican group I Muvrini. During that period,  he met and worked with a number of artists : Véronique Sanson, Florent  Pagny, Stephan Eicher, Jean-Jacques Goldman, Sting, as well as Frédéric Paris,  Edouard Papazian, Alain Bonnin, and Gabriel Yacoub.
 More recently, he has been collaborating with  jazz musicians such as Vincent Mascart, Jacques Mahieux, Alain Bruel, Alain  Gibert, and Jean-Marc Padovani in a number of creative works, including a  theatrical reading of Enzo Corman.  In  addition, his hurdy-gurdy can be heard in a Jannick Top composition written for  Pierre Jolivet’s film « Le Frère du Guerrier ».  He also works regularly with Eric Montbel,  Didier François, a Nyckelharpa player, Gabriel Yacoub and Patrick Bouffard.
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